So Lent is officially over; if you celebrate it I hope it went well. I participated in a family easter egg hunt over zoom and learned that I used to force my parents to read my picture books silently to themselves while I flipped through pages and presumably understood none of the words, so really nothing has changed.

A lot of this blog is going to be, in essence, a book report: a read-along-with-Ryan, if you will. I’m nothing like an expert, but I am good at reading books. So I figured, if you’re someone who wants to know more about Shakespeare and doesn’t know where to start, why not take advice from someone who started in entirely the wrong place and has been learning things with absolutely no pattern or plan ever since?

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As of posting, Seattle has been under quarantine for one week. (insert party streamers emoji here) But I have hot water again, so who cares, blog’s canceled, everyone go home.

Anyway, I thought I’d start us off on a downer, in the hopes that it can only go up from here: two weeks ago The Atlantic ran an article by a professor at Linfield College that basically boiled down to “hey, does anybody else think maybe this whole worldwide theatre shutdown thing could actually be kind of, idk, good for theatre?” which, as takeaways go, feels a bit like a slap in the face.

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